blog 39: In which I take you on a photo tour of my recent trip to Adelaide.

Recently I was very fortunate to be invited to Adelaide for the CBCA Conference. My wife Adriana came too. We had a lovely time. Here is the photographic evidence …

Thanks to the generosity of the amazing folk of the Adelaide branch of the May Gibbs Children’s Literature Trust, Ard and I got to stay a few days in beautiful Norwood. (If you are a children’s writer or illustrator go here to see how you can apply for a residency at a May Gibbs apartment in Brisbane, Adelaide or Canberra.)

Norwood is so lovely. They have these incredible things called ‘seasons’ down south and depending on the ‘season’ the trees change in various ways. I reckon we should get something like that for Queensland. Our trees change too, but usually into housing developments. Apparently it helps to control the koalas.

This artwork was in the street outside where we were staying. It was to do with the history of Norwood. Quotes about the area are written inside the rings. I was excited at first because I thought it was a monument to Tolkien. “One Ring to rule them all. One Ring to find them. One Ring to lead them all. One Ring as back up in case that last ring doesn’t actually bind them. One Ring just to show off with. One Ring as a spare. One Ring to remind you all, that the other six rings are there!”

On our first night we went to the Welcoming Ceremony at the Entertainment Centre. Ard took this photo of me with Norman Jorgensen (The Last Viking) and Ernie Tucker. I thought it was great how she managed to make my nose look even bigger. I don’t think those extra couple of drinks affected her at all.

At the Conference I was honoured to be on a ‘Humour in Teen Fiction’ panel with these talented writers – Phil Cummings, Doug MacLeod and Don Henderson. Sort of the CBCA’s answer to One Direction.

On our day off we went to the Adelaide Zoo which was terrific. This statue outside is dedicated to one of the zoo’s original gorillas. What were they thinking? “How can we best represent the power and majesty of this magnificent creature? I know, let’s just do his pinkie!’ Still, it gives you some idea how enormous he must have been!!! Just imagine the size of the nail-clipper they would have had to use!

This is a monument to Nicolas Baudin. I think he was a zoologist who sailed with Matthew Flinders. Tragedy struck one day when he fell overboard and lost most of his body in a gruesome white-pointer attack. In a medical first they tried to save his life by replacing his missing body parts with a block of granite.

It didn’t work.

Here Ard mortally embarrasses a rare cockatoo by turning up in the same outfit.

What I learnt from these guys was, “If you have to be a duck, at least be a classy duck!”

This fellow was particularly unhappy about being blinded by my camera flash. I really didn’t appreciate the negative look in his eye. I call him ‘Bad Karma Chameleon”.

This guy on the other hand looks far too relaxed. I think he’s making a mockery of being a zoo exhibit. Well all I’ve got to say to you pal is, “Bad boy, bad boy, whatcha iguana do? Whatcha iguana do when they come for you?” (Oh, stop your groaning! I’m doing the best I can with limited resources and grey matter.)

At feeding time, the hungry lionesses go completely psycho!

 Of course they have nothing on Ard!!!

And finally it was time to leave Adelaide Zoo and head home. Now while there could possibly be an hilarious and witty caption for this photo which cleverly links the concepts of jeans, appearances and big buttresses, I can’t for the life of me think of what it would be.  So I’ll just say, “Doesn’t Ard look lovely?”

Cheers
Michael

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blog 38: People Who Didn’t Really Want To Be Photographed With Me But Couldn’t Find A Way To Get Out Of It. (Vol 1: Nos 5-8)

 At the recent CBCA Conference in Adelaide I had the opportunity to add a few more photos to this popular and never-ending project. (See blog 35 for previous photos)

Here I am with charming SA author Don Henderson (Half the Battle; Keepinitreal). Not sure if the thought of being photographed with me has given Don the mother-of-all migraines or if my witty conversation has sent him in to a coma. Of course it could just be that Don is giving us all a taste of his ‘bedroom eyes’.  

Now despite appearances, the lovely Karen Tayleur (Chasing Boys; Love notes from Vinegar House) was quite happy about having her photo taken beside me – right up until the ‘inappropriate touching’ thing happened. Then all hell broke loose!

Met this guy Nicolas Baudin in the grounds of Adelaide Zoo. Apparently he was some big wig with Matthew Flinders. Talk about a grouch! Couldn’t get a smile out of him to save my life. I’m thinking he might have been upset about that enormous pimple forever on the end of his nose. In any case, I found him very cold and inflexible.

And finally, here I am with another wonderful South Australian author, and good friend, Phil Cummings (Danny Allen was Here and many more). Now it might appear that Phil is filled with the utmost horror at the thought of being captured on film with me but personally I like to think that he’s just star-struck! Sadly though, it does seem that Phil’s mind is going. Just after this shot was taken I heard him muttering, “Who the hell was that!?!”

Stay tuned. Coming soon there’ll be a photo blog covering my four day visit to Adelaide. All will be revealed!

 

Cheers

Michael

 

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blog 37: In which I reveal twelve shocking secrets about DON’T CALL ME ISHMAEL!

First up, if you haven’t actually read my book Don’t Call Me Ishmael! then I wouldn’t bother reading this post. I would however seriously suggest that you take a LONG HARD LOOK AT YOURSELF and stop frittering away your life on other less worthy pursuits!Be that as it may, what follows are some never before revealed, and possibly disturbing, insights into the book.

1. Ishmael’s birthdate is revealed in Chapter 3 as being August 1st. This means he shares a birthday with Herman Melville author of Moby Dick.

2. On the front cover of the original Australian edition just above Ringo’s head, there are some stylised initials scratched into the desk. They are J.T.B. for Joseph Thomas Bauer – my son who was the cover designer. (Not visible in the image below because Joe photo-shopped it in later.)

3. A banana skin is visible at the top left-hand corner of the back cover of the original Australian edition. It ended up there because Joe had a banana for morning tea while he was putting the cover design together for the photo.

One of Joe's photos that was cropped and adjusted slightly for the cover of the original Australian edition of Don't Call Me Ishmael.

4. When Ishmael writes his list of Five Amazing Facts About Me, Number 4 is “When I was an altar boy in Year Four I used to faint during the Service.” He stole that one straight from me!

5. Kelly Faulkner is named in honour of the American writer William Faulkner whom I studied a lot at University. For a while there, I thought of naming more characters after literary heroes but decided against it.

6. Even though James Scobie is perhaps one of the most unusual boys in the book, he is the only one who was based, at least initially, on someone I’d really taught.

7. In the US version of DCM Ishmael the Rugby match has been changed into an American Football (Gridiron) match, even though the story is still based in Australia. Weird!

8. When Ishmael’s dad says philosophically in Chapter 38, “Don’t ever think you’ve got away with anything or got something for nothing – because the bill always comes,” he is quoting one of the characters in Ernest Hemingway’s The Sun also Rises.

9. St Daniels has a row of six playing fields “imaginatively referred to as ‘The Fields’.” This is because St Daniels is based on Marist Brothers Ashgrove and they have similar fields imaginatively referred to as “The Flats”.

10. Miss Tarango’s surname is a combination of Tango (the dance) and Tarago (the car) because she’s such a passionate, energetic and revved-up teacher.

11. In my early planning of the storyline of DCM Ishmael, one of the characters was going to die.

12. Kelly Faulkner’s phone number is given at the end of the book as 4060 8699. This is made up of the postcode for Ashgrove where I grew up (4060) and the secret agent numbers of Maxwell Smart (86) and his partner Ninety-Nine (99 – obviously!)

So there you go. Of course I haven’t revealed ALL the secrets of DCM Ishmael because let’s face it, some of them are just far too explosive to share. But stay tuned for more shocking secrets from the sequels!!!

Cheers
Michael

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blog 36: In which I say “Thanks heaps Dr Novak, wherever you are.”

I’ve admitted before that I based the character of Ishmael (Don’t Call Me Ishmael!) and his dread of speaking in public on me when I was young. Ishmael says that when he stood in front of a group of people to talk, his legs did a ‘wild tribal dance’ and his body went into spasm. I can so relate to that.

I still had that same fear when I started University. Often in small tutorial groups of 10 or so we’d be asked at the start of a Semester to go around the table and say our names and what we were studying at Uni. The thought of just doing that and having all those eyes peering at me at the same time was frightening. All I wanted to do in tutorials was to sit, listen and take notes with my mouth shut. I certainly never dreamed of volunteering to speak.

But in my second year at Uni there was one English tutorial where no matter how hard I tried, I couldn’t avoid participating. It was American Literature. Our tutor was a lady from one of the Southern US states. Her name was Dr Jane Novak.

I guess it must have been immediately obvious to Dr Novak that left to myself I would never say a word, so for that reason, she made sure a couple of times every tutorial, to direct a question straight at me. My heart rate would always go into warp drive when I heard something like, “Michael, tell us, what do you think of all this?”

Even worse was when she would utter the dreaded line, “Michael, why don’t you give us the male perspective on this issue.” (I was often the only representative of that gender in the room.) This question terrified me! The male perspective? How would I know what the collective ‘male perspective’ on anything was for goodness sake?  And even if I did, I probably didn’t agree with it. Nothing much has changed over the years.

But those questions were merely the start. Dr Jane was never willing to let me off that easily. After I’d mumbled out some barely comprehensible response, an incredulous smile would spread across her face and she would stare at me like I’d just delivered the Gettysburg Address, then say something like, ‘Why that’s so interesting Michael! Now can you just explain a bit more about what you mean by …”

Noooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo!

That scenario played out pretty much every tutorial. But the thing is, it worked. I just came to expect to be interrogated and slowly I got more used to opening my mouth. Then, because anything I said was treated with such spontaneous joy and amazement, I started to believe that maybe I actually had something worth saying after all. My confidence grew first in Dr Jane’s tutorial group, and then it spread to my other subjects.

At the end of that semester I went to Dr Novak’s room to collect the journal we had to hand in as part of the course. They were a requirement of passing the subject but not graded in any way. All we had to do was to write down our thoughts, questions and reactions each week as we studied the various texts. You could write in any form you wanted.

When I picked up mine Dr Novak told me that she really enjoyed reading it and then she said, “You realise what you’re doing there don’t you?” Naturally I had no idea. (What else is new?) Then she said, “The way you’ve written each of the responses imitates the style of the author and text you’re writing about.”

She then went on to point out things like how my Hemingway response was brief and in note form while my Faulkner one was much more descriptive. I can’t say I was totally convinced by her theory but it made me feel good to hear it. The other thing Dr Novak said to me that day was, “I think there might be a writer inside you trying to get out.”

That was the last time I remember talking to her as she was due to head back home to the States. Before I left, I’m sure I would have thanked her for teaching me and for all her help. But I’m also sure, that the words that came out of my mouth would have been pathetically inadequate because I had no idea at the time how much knowing her would change my life.

So, just for the record Dr Novak, wherever you are:

Thank you for being easily the best, as well as the most enthusiastic, inspirational and influential teacher I’ve ever had. Thank you too, for making me love words and stories even more than I already did and especially for giving me the confidence to finally let myself be heard. 

And Dr Novak, you know that writer you said you saw struggling inside me way back then? I thought you’d like to hear, that after you said those words, he struggled a bit harder and with a bit more faith and belief, and he finally made it out. 

Cheers
Michael

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